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Isle Of Man | AnthonyAddis.com
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Posts Tagged ‘Isle of Man’

Five Reasons To Grow Up In The Isle of Man

Wednesday, August 18th, 2010

Intergrated into my general retrospective state of mind at the moment, here’s a list of reasons to enjoy growing up on the Isle of Man.

1. Peel Castle

Peel Castle

Peel Castle

A friend recently called it the most tactile castle she’d ever visited. Because of all the open space inside, it’s brilliant for kids to run around. And then there’s all the ghost stories of the Moddey Dhoo (Black Dog) said to haunt the castle’s walls. One look at it will freeze your heart, killing you instantly…

 

 

 

 

2. Douglas Beach

My short story The Memory Room was based on my childhood memories of walking along Douglas Beach at low tide. An anecdote remembered by the narrator of The Mask Slips is set here as well. Lovely on a calm day (I’ve never known better sandcastle building sand - or a beach with more conveniently positioned pebbles to knock the sandcastles down again), and stunningly dramatic at high tide in storms, with waves lashing over the promenade at parked cars and hurling pebbles and sand at hotel windows on the opposite side of the road.

View from Onchan Park

View from Onchan Park

3. The TT Races

How startlingly different the island became from the rest of the year! Hordes of bikers from all over the world descended on the island. The thrill of Mad Sunday, the excitement of trying not to get trapped inside the TT course before a race started and the fun of going with a group of mates to a good spot to watch the races (we generally plumped for Signpost Corner or Governor’s Bridge).

4. The Laxey Wheel

For me, it was more about the adventure of walking up to Laxey Wheel from the East, or down to it from the Western mountain road, down the valley and through the derelict miners’ buildings. It’s the largest wworking waterwheel in the world, and it looks great, all white washed and red painted.

5. The Fairy Bridge

Well, the stories of the Little People in general. We used to amuse ourselves by telling each other stories of the terrible vengeance the fairies would wreak on people who didn’t say, “Hello Fairies,” as they drove over the Fairy Bridge. The Headteacher of my primary school, Gordon Kniveton, wrote a book called The Manx Experience, and he used to tell us various Manx myths and legends. In general, the fairies were an impish lot, much given to wicked little pranks. But I can tell you this:

Once, a girl I never met or knew, and none of my friends ever met or knew, drove over the Fairy Bridge with her parents once, on the way to somewhere, and back over it again when she returned. Both times, she refused to say, “Hello Fairies.” Later that day, she went on a swing and broke both her legs - one for each time she failed to greet the fairies.

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Retro Writer

Wednesday, August 4th, 2010

I’m going through a bit of a retro stage. Perhaps my subconscious is gearing up to start working on my Steampunk first draft. I’ve gone on something of a Western splurge, I’m listening to music from my youth (currently Land of Confusion by Genesis) and I’m about to reread an old David Morrell novel. Watching the Westerns and listening to the music brings back all sorts of memories of growing up on the Isle of Man.

My Steampunk novel, so far called Lost Company, is inspired by an old Big Country song Lost Patrol. I loved Big Country when I was a teenager, in the same way I loved David Eddings’s books. I loved all kinds of guitary music - Dire Straits, Gary Moore, Iron Maiden, Def Leppard.

I remember being impressed by Big Country’s latest album, Peace In Our Time, and playing it in a pub on the promenade in Douglas for Simon Rea, now a singer-songwriter. While Big Country clearly weren’t his thing, he said, “It’s good they’re changing, not just staying the same.”

Which is as good a creative philosophy as any I’ve heard. I’m not saying Simon’s words have reverberated through 22 years (God, was it really 1988, when we were in that pub?), driving my writing forwards, but the philosphy behind them encapsulates why I’ve written in so many different genres:

  • The Tale of the Birds - Historical fantasy
  • The Mask Slips - Contemporary
  • The Concubine’s Son - SE Asian fantasy 
  • Chess Novel - Young Adults
  • Lost Company - Steampunk

So while I’m enjoying wallowing in my retro-phase at the moment, I don’t think it will go on for much longer. Different novels require different music playlists, different styles of writing and different ways of thinking. After the Steampunk novel, I’m planning on writing one of two thrillers I’ve mapped out. I already know the music I’ll be listening to then, and it won’t be Dire Staits or Big Country. They’re perfect for Lost Company, though.

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